Posts Tagged ‘Will Chase’

Seattle Celebrity News!

June 8, 2012

Divine Marigolds Goes to Hollywood

 

(Editor:  Notice the green shirt.)

“Bobby Cory (a masterful pitcher) and I just pitched 11 companies on The Divine Marigolds and 8 reality tv shows (under the auspices of Evergolden Entertainment). The last company we pitched, CAA had a very positive response to Marigolds. Regardless of the outcome, I want to thank all of you who have supported this amazing journey. I could NOT have done this without your support. Mad love people, mad love. — at Roosevelt Poolside.”  – Will Phillips

Photo by Unknown

 

Seattle Celebrity News!

October 11, 2011

It’s a Wrap!

 

 

 Room 13 completes its shoot.

 Editor:  They got the funding; they got the crew; they got the location; and they shot the thing.  An enormous amount of effort pays off!

“We wrapped late last night on Room 13 after a 17 hour day. Amazing crew. Awesome cast. Congrats to Paul Eenhoornon his directorial debut. This is going to be a great film.”  – Marco Scaringi

“After an amazing weekend on the ROOM 13 set, I just want to send a special thank-you to Paul Eenhoorn and Diana SirLouis for making it possible, to Trin Miller and Ernie Joseph for making the characters real, to Ross and Andrew Harrison for making it all look so beautiful, Robyn Scaringi and Samantha Jensen for keeping the shots properly organized, numbered and backed up… I am a very happy editor!” -Aria Elf

“‎1st day of shooting on Paul Eenhoorns Room 13. Great crew, amazing cast, and a smooth day, all told. Thanks to everyone who came out and “camped” for the day in our hotel location. And, I got a new title. “Scar test body double” IMDB, here I come!”  – Will Chase / Producer

Will Chase Took a Hit for the Cause

 

 Photos taken from the Room 13 website.

Seattle Celebrity News!

December 17, 2010

Trapping Sound for AV/The Movie

AV/The Movie to Have Screening

A/V The Movie, which travelled south to Tinsel Land for a while to get its post-production make-over, is having its first screening for participants and guests at the SIFF Cinema in McCall Hall, here in Seattle, January 3rd.  Visit their fine website at: avthemovie.com 

Yours Truly did stills of this production.  They were a fine crew.  And the food was great while the money held out.  After that, well, we tightened out belts and suffered (but not too much)  for our art.  I think you’ll really enjoy the results.  I’m hoping to interview John Silva, Writer/Director of AV soon.  Stay tuned!

Photo by Carl Nelson

A Producer’s Diary with Will Chase

November 27, 2010

Will Chase / Producer

An Open Letter for The Divine Marigolds

“Its been a bit since last I posted, so my apologies in advance.  I am currently (still) digesting the last of my Thanksgiving meal, which I enjoyed with friends and family out at a restaurant.  No dishes, no disgruntled arguments as to whose stuffing is best, or why defrosting a pumpkin pie heating and eating is similar to the genocide of the 1st Nation People(I just learned that moniker, and for those of you who dont know who the 1st Nation People are…Native Americans, or Indians, if you are insensitive and slightly ignorant)  It was GLORIOUS! But I digress. 
I would like to make a shout out to all the folks who made a brilliant effort on the Pilot shoot of the new television series, The Divine Marigolds.  I am a producer of said series, and it was a long and arguous three days.  Not so much for myself, but for the cast and crew of the show.  We had crew members who effortlessly (that might be a bit strong) worked 15 hour days, and had smiling faces to boot.  Not one member of the crew complained, that I could remember, and the cast brought their A-Game, creating honest, real, and affecting performances.  For this I am thankful.  For each and everyone of you who stepped up to the plate, pointed to left field and proceeded to blast it out of the park,  I am thankful.  For the confidence that each member of our team had in their producers, I am thankful.  But mostly, I am thankful that Seattle’s Independant Film industry is beginning to realize that we have a large pool of creditable crew members, a deep pool of fantastic talent, and producers who are willing to have the courage of their convictions.  So, thank you to my fellow producers on the Divine Marigolds.  I bought a ticket to ride the train about 8 months ago, and I’m not getting off until the end of the line. 
I am truly blessed to work with such fearless cohorts.  You complete me.”  – Will

Photo by Carl Nelson

Seattle Celebrity News!

October 28, 2010
The Divine Marigolds ramps up:
 

Starlet Preparing / Shoot Begins this Coming Month

Director Flown in From LA!

Shooting to begin mid-November

Flash!  According to Producer Will Chase, initial filming of the TV Pilot The Divine Marigolds is to begin this mid-November at a West Seattle location.  The initial shoot  should take 2 days.  And an LA Director is being flown in special, apparently to deposit a little of that lucky  Hollywood pixie dust onto this talented local effort.  Stay tuned.  We will be offering full coverage. 

Photo by Carl Nelson

A Producer’s Diary with Will Chase

September 2, 2010
Editor’s Note:  We caught up with Will for a moment of his time.
To aspiring writers…

“Writers.  Each day (I shouldn’t say each day, as I”m a Seattle producer) I have a new script that is just “brilliant” and needs my resources for it to live out a long and prosperous life on the big screen, small screen, direct to dvd screen, or download.  It is really encouraging to know that everyone who wants to write a script thinks that it will “make it.” I want to send out a piece of advice: Write five scripts before you show them to anyone.  They all suck.  Believe me.  This is not my sole opinion.  I have been to more film making panels with more film making professionals on them in the last 3 years than I care to count.  And everytime I sit down, I wait and wait, until one of the producers or writers or directors on that panel gets the question, “I have a feature length script, my first, and I’d like to know the best way to get it produced.” Without fail, one of the panel members will bring up the “Gold Meter.”  Ernest Hemingway made this phrase famous when asked at what point in his career did he know that he was a good writer.  He replied (I’m paraphrasing) “Write four or five books then the junk will get flushed out.  Know your Gold Meter.”  If only more playwrites and screenwriters had the benefit of this knowledge, there would be far less flim flam flying around.  Of course, now it is not enough to just have a good screenplay;  you must have a business plan, a Facebook Fanpage, a team of lawyers and if you are really serious about writing, an agent.  I’m not trying to discourage anyone from writing the next Taxi Driver, or Memento, but stay realistic.  Those writers had been writing for quite some time before meeting with any type of success.  Plod on.  Write crap, but keep writing because like Hemingway said, the junk will flush out.  And keep sending me your scripts, as I am, after all, a masochist.  Cheers!”

                                                                    – Will
Photo by Carl Nelson

Producer’s Diary

August 5, 2010

Your Career Escalator: Going Up or Down?

Editor’s Note:  Want to know how you career is going?  Careful…   Will Chase might tell you.  (For more information about Will, check out his interview on the Seattle Celebrity News!  Want to see one of his projects clicking?  Check out The Divine Marigolds, a local TV pilot.  Want to see trailers of a couple movies he’s been involved with?  Go to:  http://avthemovie.com/  or go to:  http://kck.st/amqjn4  )

“Time.  There used to be so much of it, and as the years pass, so too do the minutes of the day.  Faster, and faster like the whir of a Hard drive, downloading the footage to my last film.  Currently I am working on or developing no less than five projects, all of which are dependent on completion and distribution for remuneration.  Which brings me to my next point: Money.  There seems to be a glut of it these days, even for experienced film makers.  I have been in the business for 10 years and have always had a “job type job” that helps me eat, and you know, pay rent.  What student loans?  Defer, baby, defer!!! This can be a challenge, but if you have a great partner who is patient, willing to listen to your endless stories on how “I will never work with so and so again” and “REALLY!  You show up to my shoot two hours late and don’t come to me and apologize immediately!!!” and “yeah, so I know I’m about, oh, entirely short on rent, but I PROMISE, next month will be different.”  Thank god for the ones who love us, as without them, I know I would be much less effective in producing and promoting independent film in Seattle.  Which brings us to my last point.  The film community in Seattle:  I moved to Seattle 7 years ago, deliberately avoiding NYC and LA for the distinct reason that I didn’t want to be a nameless, faceless number.  This was in my acting days, but I feel like it applies to producing as well. I.E. You have to build your reputation as a creative individual who has impeccable follow through, instincts and you must, MUST know this one thing:  If you are starting out as a professional in the film industry, surround yourself with people that have been at this game alot longer than yourself.  No man is an island, and in this house, if you cast a stone, the whole glass structure will come tumbling down on your head.  I have learned from those around me that are smart, efficient, gracious and professional, that if you intend to succeed, you must know how to listen.  I hope this falls on the ears of the up and coming in Seattle.  We have an incredible opportunity to make Seattle one of the top film locations in the country, but only if we are willing to commit 100%.  I have been to many “networking” events throughout Seattle and each time I hear the same thing: “Why is it so hard to find paid work?”  I’ll tell you why, because all the paid work is going to the individuals that have been at this game for the last 10-20 years.  Please don’t complain to me (or anyone, for that matter) about the lack of paid work.  You have to MAKE the paid work.  This isn’t Monster.com, or anyother website promising you a job.  This is the job you create, and the personality and drive that you bring to the table will help define what you are worth.  If you complain on set, I’ll pretty much write you off then and there.  If you are not anticipating what I want from you, done.  If you are asking me whether or not you are going to get paid before we get the first shot off, get off my set.  I’ve paid my dues.  Pay yours.”

                                                     – Will Chase

“There are safety issues.”

April 20, 2010

After a Couple of These

Will Unplugged

The conversation turned towards Will’s personal life.

You Can Be Dumped!

April 20, 2010

It's Not Always Fair

Success could take your job away!  Here more about the ins and outs of this most volatile career.

You Can Run Out of Money

April 20, 2010

Will Chase / Producer

It’s not all roses out there!  Sometimes your talent and vision can outstrip your resources.  Then you struggle.  Hear what Will has to say…


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